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Posts Tagged ‘tuscan pottery’

Fine Italian ceramics are nothing new. Dating back to the Middle Ages and beginning to flourish in the 1400s, the ceramic centers of Italy have been producing incredibly detailed ceramics for literally hundreds of years. I recently came across a little book discussing Italian and other European ceramics throughout history – Mailolica, Delft and Faïence by Giuseppe Scavizzi – and wanted to share some of its beautiful images with you. Just look at the inside of this “loving cup” from circa 1500 Faenza, used to celebrate engagements or as a gift for a beloved:

fine Italian ceramic loving cup

The detailed likeness is strikingly similar to work by Tuscia d’Arte, such as this Italian canister.

Italian canister

Another timeless piece is this plate of a solider from circa 1630:

Italian soldier plate

He looks so jaunty, reminding me of this contemporary Italian ceramic plate with a drummer at its center.

Italian ceramic plate

One of the amazing things about hand painted Italian pottery is that patterns and techniques have been passed down through generations. Artists today hand paint using the same process as those centuries ago, following traditional patterns as well as Italian utensil holderadding some contemporary touches. Historically important areas for Italian ceramics have stayed pretty constant throughout the years, many of them in the center of Italy. One is Montelupo Fiorentino, outside of Florence in Tuscany. It’s where I get the fine Italian ceramics for the Emilia Ceramics collection. In a few months I plan to travel to Italy to visit both Tuscia d’Arte and Ceramiche Bartoloni as well as some potential new artists; I can’t wait!

Other famous centers are Deruta, Siena, and Vietri, examples of which are easy to find at Biordi Art Imports, also here in San Francisco. Biordi has a huge selection of typical Italian patterns that go back to the Renaissance; their walls are stuffed with dinnerware, decorative pieces, and exquisite tiles. If you find yourself in North Beach and want to see some Italian ceramics in San Francisco, check Biordi out.

No matter where hand painted Italian pottery comes from, I love how it connects to the artists that create it. Fine Italian ceramics are usually hand signed, a fitting recognition of all the time it takes to paint as well as form these pieces of art. Italian canisters, Italian utensil holders, or dinnerware pieces, these are all ceramics rich in history and tradition that make it easy to bring Italy to your home.Italian hand painting

What are your favorite fine Italian ceramics? Any recommendations for places in Italy I should visit this coming summer? Leave a comment and let me know.

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One of my favorite parts about my four years with Emilia Ceramics has been developing a rapport with ceramic artists all around the world. In this series of posts, I’ll give some insights into what happens behind the scenes to make these beautiful hand-painted ceramics come to life.

It has been way too long since I last visited Italy! I LOVE Italy… the food (every pasta dish is cooked perfectly), the wine (even the house bottle is always delicious), the cappuccinos (consistently 10 times better than anything Starbucks can do), the people (so friendly, so open, so Italian), and of course the ceramics. It’s no surprise that some of the most beautiful, colorful, and high quality ceramics come from Italy… it was 13th century Italian artists, after all, that transformed the tradition of Majolica into the high art form we know today. From relaxed fruit and floral motifs to precise depictions of renaissance characters, fine Italian ceramics continue to set the standard for the craft the world over.

Five years ago when I went on my first buying trip to Italy, I had the good fortune of visiting two of the best workshops in Tuscany: Ceramiche d’Arte Tuscia and Ceramiche Bartoloni, both of which are located in Montelupo Fiorentino, a small town right outside Florence that is famous for Majolica. I learned of both artists from my uncle, Gifford Myers, who’s a ceramicist in Los Angeles and has collaborated with many Italian artists over the years. Gifford insisted that Tuscia and Bartoloni were the best in Tuscany and would be friendly, fun partners for me to work with. He was so right!

On my first visit, I took the train from Florence to Montelupo and was met by David, who runs Tuscia. David brought me to the warehouse where 3 of 5 local artists were painting that day. 

Gabriel (seen painting above) started working with ceramics when he was 15 years old and is now the principal artist at Tuscia. He is responsible for designing and executing the most intricate designs, such as my favorite, the Square Plate with Oranges.

David gave me the grand tour of the workshop, which was packed with beautifully crafted and painted platters, pitchers, lamps, and planters. It was like a museum, showcasing all the styles, sizes, and designs they’ve created over the years. I took a ton of photos, which I still reference when I’m placing a new order.

Founded in 1982, the Ceramiche d’Arte Tuscia building has an old, slightly warn-down charm — it is so picturesque set amidst the rolling Tuscan hills. Patrizio Bartoloni (on the left below) met me at Tuscia and drove me to the Ceramiche Bartoloni workshop, where he and his brother Stefano run their business. While slightly smaller in scale than Tuscia, Ceramiche Bartoloni is larger than life when it comes to the vibrancy of their glazes, the delicacy in their designs, and the pure personality they put into each ceramic piece. Their sophisticated Italian style is clearly evident in the Limoni, Blu Limoni, and Rooster pieces, which have always been favorites among Emilia Ceramics customers.

Patrizio and Stefano started their business when they were 18 and 20 years old, respectively. At the time, their “studio” was a wood shed with a dirt floor in Capraia, a tiny village bordering Montelupo. When they outgrew that space, they moved to their current workshop in Montelupo, about 10 miles outside of Florence.

Patrizio is more of the flamboyant painter and Stefano does more of the intricate designs and lettering. My uncle met them in 1987 in their “studio” in Capraia and has been friends with them ever since. He nicknamed them the “Blues Brothers,” which they think is really funny.

In my opinion, small Italian workshops like Ceramiche d’Arte Tuscia and Ceramiche Bartoloni represent the best Italian ceramics and Tuscan pottery has to offer. In these close-knit, family-run studios, artists are not just reproducing traditional ceramic pieces; they are creating their own unique artwork in a style that their ancestors have spent 600 years perfecting.

I am thrilled to be returning to Italy this coming spring — partially because I miss the great pasta, wine, and cappuccinos so much — but mostly to immerse myself in the originality, vibrancy, and colorful creativity that personify fine Italian ceramics. I’ll visit Ceramiche d’Arte Tuscia and the Bartoloni brothers, hopefully discovering some new and hidden gems to add to the Tuscan pottery in my collection. But I will also seek out new, undiscovered Italian artists in other parts of the country. My hope is to diversify the Emilia Ceramics collection over time, adding the unique abilities and cultural influences of artists from Umbria, Sicily, and the Amalfi Coast. What are your favorite Italian ceramics and where do they originate? Leave us a comment below and let us know!

                   

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What are people using to hold their essential kitchen utensils these days? From coffee cans to a Tuscan utensil holder, the ways to hold those wooden spoons and spatulas are vast and varied. Here are some of my favorites, from wacky to classy: which suits your kitchen style best?

Upcycled Utensil Holders

Creative reuse is a way to definitely make a statement on the kitchen counter. Tarnished silverware mixes with glass and metal on this unique utensil holder featured on the Kitchen Designs blog. The patina means this is one piece of silver you’ll never need to polish. Slices of old pipe get a new lease on life courtesy of PaulaArt on Etsy with utensil holders like this that are something more than just industrial chic.

Tacky and Wacky Utensil Holders

Sometimes you have to just go kitsch. This yellow Tiki utensil holder fits the bill, though I can’t decide if it’s fabulous or horrifying. The rooster in a chef’s hat featured on Jeri’s Organizing & Decluttering News is also another example of kitsch in action (it’s #5 on her list of 15 utensil holders.

Country Classic Utensil Holders

French and Tuscan country design extends all the way to utensil holders. Fruits are a favorite motif, giving Tuscan utensil holders a charm that’s more than just rustic. Another of my favorites is the blue rooster Tuscan utensil holder – he’s definitely fun from sun-up to sundown.

Ceramic Utensil Holders

Solid and easy to load up, ceramic utensil holders are another consistent favorite. Six of the utensil holders on Jeri’s list are ceramic, in a wide variety of styles. The Tuscan utensil holders by Tuscia d’Arte are a perfect example of this type. I’ve also had customers purchase wine bottle holders to use to corral the kitchen counter. One paired a blue and white striped holder with a blue and white zigzag one for utensil holders with modern flair that can hold everything a cook needs; such an ingenuous idea! You could do the same with a Tuscan vase, just make sure it won’t tip over.

Clever Cans

Sometimes simplicity is all that’s needed. A friend of mine has collected cookie tins and other cans from countries she’s lived in like Greece and France to create utensil holders (as well as pen holders on her desk) that remind her of her travels. A vintage coffee can like this one below is another unique touch. You can always decorate a can, either with magazine photos in a collage (à la your resident 6 year old) or with this more sophisticated DIY from Better Homes and Gardens that looks like something you’d find at a design store.

Modular Utensil Holders

With everything else becoming more and more streamlined, why not your cooking essentials as well? This set by Think Geek has one handle with many different attachments, designed to take up minimal counterspace (though I think it would be hard to cook multiple things at once without multiple handles). Other minimal utensil holders just hold a few items, leaving your counter-top clear for other items.

What utensil holder style speaks to you? Modern, DIY, Tuscan utensil holders, vases, or something else? Let us know of any fun or unusual utensil holders we’ve missed with a comment below.

Silver utensil holder image courtesy of Kitchen Designs.

Coffee can image courtesy of Bree Bailey.

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My love of Spanish pottery and fine Italian ceramics is long-standing and one of the reasons I began Emilia Ceramics. While living in Southern Spain, I saw gorgeous pieces of pottery (plates, cups, and bowls were only the beginning) being used everyday that were just as unique as the people using them. I realized that I couldn’t use all the pieces I thought were beautiful, but knew that there were others who would love them too. And thus Emilia Ceramics came into being.

Now my collection includes fine Italian ceramics, Tuscan pottery, as well as ceramics from France and Mexico. I’m excited because it looks like I’ll be adding Spanish pottery (by Ceramica Valenciana) to the Emilia Collection by the end of the summer (crossing my fingers about how shipping times work out). All these pieces emerge from the same roots and display similar techniques — resulting in majolica dinnerware and accessories that have distinctively “fat glazes,” vibrant colors, and unique designs that vary not only from region to region, but also from artist to artist.

But while I love these new pieces being produced today, what about vintage pottery? Collectors of Quimper, Fiestaware, majolica from Deruta and Faenza, as well as other fine Italian ceramics know what I’m talking about. A friend sent me a link to some Portuguese pottery she’d found made by SECLA (this espresso cup was my favorite piece) and it got me thinking about how designs and glazes have both changed and stayed the same for all these years. Just look at these Portuguese pottery tiles, ashtrays, and vases designed by Ferreira da Silva. Most of them are from the 1950s, yet their modern lines and fun designs could come out of an artist’s studio today.

That’s one of the reasons I love all kinds of pottery – they hold timeless appeal. Fine Italian ceramics become heirlooms, whether it’s a plate or a lamp. Majolica dinnerware graces the table for decades since its sturdy construction holds up quite nicely to the rigors of daily use. Not only does Tuscan, French, Mexican, and Spanish pottery look great, it’s functional and stylish. No wonder I keep finding artists whose pieces I love to add to the Emilia Collection!

Portuguese pottery image courtesy of R.Ferrao.

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There are many diehard lovers of Italian ceramics out there, and for good reason. Whether it’s Tuscan pottery or a piece from Sicily, there is just something about Italian ceramics that sets it apart from the other other forms of maiolica-type wares being made elsewhere.

The majolica technique itself still flourishes throughout the world, seen most often in Portuguese, French, Mexican, and Spanish pottery. While the majolica process varies little between countries and hasn’t changed much in hundreds of years, there’s definitely a wide variety of results.

Both Spanish and Portuguese pottery have long been recognized for their gorgeous tiles, in addition to their tableware. Called azulejos, these glazed tiles decorate large swathes of Portuguese buildings from churches to houses to train stations and their use dates back to the 15th century. The geometric patterns and later figurative motifs create stunning mural-like decoration in the most unexpected places. Truly beautiful and useful, the tiles also help with temperature control.Igreja da Misericórdia de Tavira - Azulejos

The tradition behind both Portuguese and Spanish pottery (as well as most of the Mediterranean region) started when Arabs introduced the technique in 711. An important coastal town for centuries, Valencia remains a major center of Spanish pottery and I’m still hoping to start carrying pieces by some artists from there in the near future (stay tuned).

So how is Italian Majolica different? I believe it is a combination of excellent artists (many of whom have dedicated their entire lives to perfecting the craft) and the traditional designs which generations of Italians have enhanced, individualized, and improved upon. Tuscan pottery is what many people picture when it comes to fine Italian ceramics. From the noble tradition behind the wares made in Montelupo Fiorentino to more commonly found pieces from Deruta, the bright colors, practical shapes, and ineffable charm truly put Italian ceramics in a class of its own. Who can resist the cheerful lemons, proud roosters, and rustic flowers that decorate plates and other majolica dinnerware from Tuscia d’Arte and Ceramiche Bartoloni?

Italians are masters at blending art and function to create masterpieces that are beautiful and unique. But just as Italian ceramics stay near and dear to our hearts, there’s no reason to overlook the gorgeous producers of ceramics in Portugal, Spain, France and Mexico. Among all these individual traditions there’s sure to be a majolica-inspired pottery that’s just right for your home.

Azulejos image courtesy of Concierge.2C.

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