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Archive for the ‘History & Technique’ Category

handmade ceramicsEven though all the ceramics in the Emilia Ceramics collection are handmade and handpainted, some artists focus on one of a kind ceramics more than others. Sylvie Durez’s French handmade ceramics are a perfect example. For her plates and bowls, she etches an original design onto the piece without a plan or pattern — then hand paints the piece, with women lounging, serene landscapes, or whatever else she fancies.

handmade ceramics: bowlmodern handmade ceramics

Every time I visit her Provence studio, choosing from all the many options can be quite challenging; often I wish I could just take them all!

Capelo also specializes in one of a kind handmade ceramics. He and his fellow artists in his Mexican workshop craft pieces with unusual shapes and truly touchable glazes. I especially love his vases. Take the Hawaiian vase: with its floral motifs and range of colors, this piece is beautiful empty on a shelf or full of flowers.

Hawaiian vaseCapelo’s unique bowls and trays are also fantastic examples of his one of kind work. They also make great gifts—with these handmade ceramics, you can be certain you won’t be giving something already in someone’s home.

handmade ceramic tray

amor plateOther artists, like Gorky Gonzalez and Richard Esteban, mix one of a kind pieces in with their regular handmade ceramic collections. For example, Gorky’s Catrina plates and the amor plate allow artists to get creative with their designs. I particularly love the El Pajaro bowl with its cheerful songbird. These pieces blend nicely with the rest of Gorky’s collection. They’re incredibly detailed, sharing border motifs, color palettes, and style with his other handmade ceramics.

handmade ceramic bowl

Richard’s one of a kind French handmade ceramics are also tied together by color and feel. Whether it’s a striking black tall pitcher, quirky polka dot planter, or striped serving platter, these ceramics definitely embody the spirit of his country home with a modern edge. I love his tall teal vase and its etching; this is another example of a vase that looks wonderful empty or full.

tall vaseblack pitcher

Of course, the one downside to all these handmade ceramics is once they are sold, they’re gone. It can be hard to not fall in love with every one, but if I kept them all, I’d have no room left in my home. That’s why I’m always happy to share them with you as well as hear from people about their new handmade ceramics when they receive them. Have a story about some handmade ceramics you love and how you use them? Comment below and please share it with us all!

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Fine Italian ceramics are nothing new. Dating back to the Middle Ages and beginning to flourish in the 1400s, the ceramic centers of Italy have been producing incredibly detailed ceramics for literally hundreds of years. I recently came across a little book discussing Italian and other European ceramics throughout history – Mailolica, Delft and Faïence by Giuseppe Scavizzi – and wanted to share some of its beautiful images with you. Just look at the inside of this “loving cup” from circa 1500 Faenza, used to celebrate engagements or as a gift for a beloved:

fine Italian ceramic loving cup

The detailed likeness is strikingly similar to work by Tuscia d’Arte, such as this Italian canister.

Italian canister

Another timeless piece is this plate of a solider from circa 1630:

Italian soldier plate

He looks so jaunty, reminding me of this contemporary Italian ceramic plate with a drummer at its center.

Italian ceramic plate

One of the amazing things about hand painted Italian pottery is that patterns and techniques have been passed down through generations. Artists today hand paint using the same process as those centuries ago, following traditional patterns as well as Italian utensil holderadding some contemporary touches. Historically important areas for Italian ceramics have stayed pretty constant throughout the years, many of them in the center of Italy. One is Montelupo Fiorentino, outside of Florence in Tuscany. It’s where I get the fine Italian ceramics for the Emilia Ceramics collection. In a few months I plan to travel to Italy to visit both Tuscia d’Arte and Ceramiche Bartoloni as well as some potential new artists; I can’t wait!

Other famous centers are Deruta, Siena, and Vietri, examples of which are easy to find at Biordi Art Imports, also here in San Francisco. Biordi has a huge selection of typical Italian patterns that go back to the Renaissance; their walls are stuffed with dinnerware, decorative pieces, and exquisite tiles. If you find yourself in North Beach and want to see some Italian ceramics in San Francisco, check Biordi out.

No matter where hand painted Italian pottery comes from, I love how it connects to the artists that create it. Fine Italian ceramics are usually hand signed, a fitting recognition of all the time it takes to paint as well as form these pieces of art. Italian canisters, Italian utensil holders, or dinnerware pieces, these are all ceramics rich in history and tradition that make it easy to bring Italy to your home.Italian hand painting

What are your favorite fine Italian ceramics? Any recommendations for places in Italy I should visit this coming summer? Leave a comment and let me know.

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One of my favorite parts about my four years with Emilia Ceramics has been developing a rapport with ceramic artists all around the world. In this series of posts, I’ll give some insights into what happens behind the scenes to make these beautiful hand-painted ceramics come to life.

Patrice Voelkel

I learned about Patrice Voelkel from a book on French ceramic artists that Sylvie Duriez loaned me many years ago. Since Patrice lived near where I was staying in St. Remy, I decided to check out his studio one rainy spring day. Thankfully it was clearly marked and easy to find – the French ceramics that covered the shelves are truly unique and unlike anything else in the Emilia Ceramics collection.

rustic blue pitcher

Patrice works with his wife Sylviane to create French ceramics with a modern sensibility that are deeply grounded in tradition. They use local black clay and create everything from design to finished product between just the two of them. Their dog Tina Turner keeps them company in their studio, known as Poterie Herbes Folles, which I think is named after the area’s wild and crazy grass. Patrice has worked with ceramics for over 33 years; he started making French ceramics near Lyon and then moved to the countryside and started Herbes Folles.

French ceramics drying in the sun

Poterie Herbes FollesThe Voelkels glaze their pieces with a variety of liquid-like colors, but I especially love their marbled blue and celadon pieces, as well as those in a contemporary chalk white. (Patrice himself seems to love blue – every time I visit the workshop he’s wearing some kind of blue shirt!) Patrice and Sylviane’s French ceramics are often large, heavy, and make a serious statement. The rustic grittiness truly reflects the little farmhouse and workshop where they are made. On my last visit, I saw pieces drying in the afternoon sun while Patrice worked on the wheel and Sylviane prepared ceramics for their final firing.

Patrice at work on French ceramics

I now have some new French ceramics by Patrice and Sylviane on the website. The one of a kind serving platter, rustic pitchers, and olive oil pitcher all in a rich indigo are ideal for bringing a bit of Provence to your home.

rustic blue platter

From spoon rests to prep bowls to serving platters, these French ceramics are stunning additions for any collection, reflecting so much of the people who made them with care and love. After working with Patrice for so long, I’m very happy I decided to take a detour in the rain all those springs ago.

white serving platter

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What’s a motif you’ll find on ceramics almost anywhere in the world? Flowers are a good guess, as are geometric and abstract designs. But there’s another favorite design that might surprise you: rooster ceramics. From Mexico to France and Italy, proud roosters and sometimes chickens grace a variety of ceramics, both decorative and functional.

Italian roosters are probably the most refined of the bunch. Painstakingly detailed with realistic coloring, the Italian rooster pitcher by Ceramiche Bartoloni is a typical example of this rooster type.

Italian rooster pitcher

Even though this rooster looks almost the same on their rooster serving dishes and platter, the hand painting gives each piece a unique attitude with variations in the comb and waddle.rooster bowl

Mexican roosters, in contrast, are more fanciful than their Italian ceramic counterparts. Gorky Gonzalez’s colorful rooster plate is similar to the Italian rooster in details, but feels more like a watercolor sketch, with looser lines (though still definitely proud and tall!).

rooster plate

Then there are blue and white rooster plates, like this octagonal serving dish, which showcase a monochromatic bird on the strut.

blue and white rooster ceramic

Gorky’s three-dimensional rooster ceramics are definitely an excellent mix of fun and realism. The large blue and white rooster sits proudly on a shelf or countertop, and the rooster pitchers and creamers add whimsy and color to the table. Unlike the standard color palette of Italian roosters, these Mexican pieces often have a completely different color combination, making each rooster ceramic totally unique.

Rooster Creamers at Emilia Ceramics

In France, roosters are a mix of refined detail and playful whimsy. Quimper ceramics offer excellent examples of roosters, often in blue. “Le coq gaulois” is an important French symbol that dates back to Roman times and is used today as a sport mascot for French soccer and rugby teams. Some good examples of Quimper rooster plates can be found here and sculptural pieces here. French roosters are fighters and it shows, like in the proud rooster strutting below.

Choisy rooster

What are your favorite rooster ceramics? Are you a fan of chicken décor in general? Leave a comment below and let us know.

Crowing rooster image courtesy of hans s.

French rooster plate image courtesy of Patrick.charpiat.

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One of my favorite parts about my four years with Emilia Ceramics has been developing a rapport with ceramic artists all around the world. In this series of posts, I’ll give some insights into what happens behind the scenes to make these beautiful hand-painted ceramics come to life.

The most recent addition to the Emilia Ceramics collection, Poterie Ravel has been around since 1837. A fifth-generation family-run business, this French ceramics studio was founded in Aubugne, France, and made tiles and other terracotta products for the home. When Gilbert Ravel took over the studio from his father in 1935, he changed the direction of the company to make planters that had more modern designs. The focus moved to high-end interior and landscape designers; the result is a world-class workshop full of ceramic artists that handle 8 tons of product a day, most of it creating their famous large-scale pots. The next time you see a giant terracotta planter at a major hotel, airport, or other public place, look and see if you can find the Poterie Ravel logo – chances are you’ll find one.

Today two sisters, Marion and Julie Ravel, run Poterie Ravel. Their ceramics are definitely art, a process that begins with the clay itself, which is extracted from their own quarries. Small pots are thrown entirely by hand (including all the French ceramics in my collection), while the massive planters are molded by a ceramic artist using a plaster mold and a piece of wood. All the pieces big and small are finished by hand for a smooth surface and the terracotta pieces left unglazed. Other pieces, like the unique pitcher vases, platters, and serving bowls, are hand painted in vibrant natural glazes before being fired in one of their four gas ovens.

About 20 ceramic artists work at Poterie Ravel, including Etienne (pictured below) and Gil, who I met on my last buying trip to France.

One of my favorite parts about Ravel’s French ceramics is that every piece is stamped with the Ravel logo, date, and initials of the artist. After I had made my selections of these French ceramics, I found out that Etienne had made some of the platters, Gil some of the pitchers. I love how each piece tells a story; this kind of personal connection is definitely one of my favorite parts of working with local ceramic artists.

Poterie Ravel is one of the oldest ceramic studios in France, and the attention to detail is truly incredible. Anyone looking for centerpiece ideas needs look no further than one of their unique bowls or statement-making pitchers and vases. It took me four years to be able to offer their French ceramics as part of the Emilia Ceramics collection and I think it was certainly worth the wait!

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I started taking ceramics classes when I was in 3rd grade… learning to stack coils of clay together and then smooth the surface to build a vase. Soon after I was taught how to use a wheel and slowly form (usually lopsided) bowls. On my first solo trip to visit my uncle in Los Angeles (who is an artist and art professor at UC Irvine) I sculpted a miniature dog… I was pretty proud of myself! IMG_1238My mom, who’s now a fantastic oil painter (I sell her beautiful landscape oils in the Palo Alto Shop), always loved ceramics — she threw a clay tea set for my dolls when I turned 10. Later, I took ceramics in college, as a mental release from the reading and writing that often overwhelmed me. And when I moved to Spain after college, I took ceramics to make friends. I loved throwing bowls, plates, and cups as I listened to Spanish housewives gossip, gripe about their husbands, and worry about their children. Point is, long before I began importing ceramics, I loved creating it myself.

That, however, in no way means that I am an expert. When people ask me about firing temperatures, specifics on the clay composites, or why the glaze used by Gorky Gonzalez comes out looking different from that used by Richard Esteban, I really don’t know the answer. But, lucky for me, my uncle Gifford does! And this Saturday (as in TOMORROW), Gifford is going to be at the shop in Palo Alto to talk about the complex process of crafting and painting ceramics. He’s also going to talk about his experiences working with artists in Italy. Gifford introduced me to Ceramiche Bartoloni and Ceramiche d’Arte Tuscia. He’s worked with both for the last 20 years. He’s especially close to the Bartoloni brothers (who he nicknamed the Blues Brothers).Screen Shot 2012-12-11 at 6.12.24 PM

Since starting Emilia Ceramics, it’s been really fun for Gifford and I to share our similar experiences meeting, befriending and working with such fun, creative artists around the world. And I am so grateful to have Gifford as a resource to go to with my nitty-gritty ceramics questions. I really look forward to him seeing this year’s pop-up shop — which I think is our best yet — and getting to share his comedic stories and knowledge with my customers.

Hope you can make it!

11:30 Saturday, December 15th
At Emilia Ceramics — Town & Country Village, Suite 10. For more information, visit us online or call us at 650-257-0292.

Here’s a little more about my uncle:

Gifford Myers is an artist who works with ceramic as well as many different materials and techniques; fiberglass, aluminum, bronze, steel, wood and found objects. The research of Gifford Myers is a continuous development of ideas and new experiences, without convention, utilizing wide vision that goes beyond the rigidity of conventional rules and restrictions.

Myers transforms the reality that surrounds him through wit, a free spirit and a strong capacity for observation. He is continuing his research, a synthesis of new dimensions that express results that are never the same, never repetitive. His work is always something new, something explorative, surprising for its variety, freedom and imagination; from large works to small objects, a form of self-portrait from the imagination of a unique artist that both surprises and draws the viewer in through the strength of expressive ideas.

http://giffordmyers-artist.com/index2.htm

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One of my favorite parts about my four years with Emilia Ceramics has been developing a rapport with ceramic artists all around the world. In this series of posts, I’ll give some insights into what happens behind the scenes to make these beautiful hand-painted ceramics come to life.

Whenever I go to visit Talavera Vazquez I’m always sure I’ll get terribly lost — the streets in Dolores Hidalgo, Mexico look so similar, I’m very relieved to arrive and see the smiling faces of Juan and Roberto Vazquez. They and their team of talented artists are the reason for the unique serving dishes, vases, tibores (ginger jars), planters and other lively Mexican ceramics produced by this family-run workshop.

While the blue and white Mexican pottery (like striped vases and zig zag ginger jars) might be some of my more popular Talavera Vazquez offerings, the workshop itself is an explosion of vibrant color. Juan Vazquez is the fourth generation of the Vazquez family to run this family business and his son Roberto is certainly poised to be the fifth when the time arrives. Not all members of the management team are related, but they still feel like a family. For example, Francisco, who is in charge of all the artwork and my liaison with the designers and artists, has worked with the Vazquez family for over 20 years.

The small team of artists at Talavera Vazquez takes care of all aspects of the ceramic process, from measuring the distance for the stripes on a wine bottle holder to loading the kiln with pieces for the final firing. The motto of this prolific studio is “Nuestros productos se fabrican y decoran a mano, la irregularidad que presentan acentúa su belleza,” (roughly translated as “Our products are made and decorated by hand, the irregularities present accent their beauty”). Every piece is formed by hand, then dipped into a “bath” of base glaze that turns creamy white after firing. When the base glaze has dried, the artists paint the vibrant geometric designs with crisp edges. Watching them work, I’m always amazed at the precision – there’s no way to erase a mistake or a drip of the brush. The results are unique serving dishes, pottery planters, and other Mexican ceramics that truly stand out.

Talavera Vazquez continues to flawlessly combine traditional techniques with modern design. I’m excited to have new zigzag tibores in yellow and gray, as well as more blue and white pottery planters. With all their wonderful Mexican ceramics, I’m never sure what new discoveries I’ll make on my next visit. But I’m always thrilled to be able to share them with you!

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